In this punk rock retelling of tragedy, the Ques and Capulets are the naturally expected waring families of Varon… I mean, Tromaville, constantly out to one up each other while the lovestruck Juliet(Portrayed by future rockstar Jane Jensen)and aptly named Tromeo(Will Keenan) keep their feelings incognito for as long as the script permits them to. In the Winter of 1997, Lloyd Kaufman, aided by the debut writing of future fellow director James Gunn, created what could simply be the most unarguably effervescent rendition of not only Romeo and Juliet, but any Shakespeare drama ever conceived. Well, after all this time analyzing his plays, tropes and translations, it was only a matter of time before someone finally got it right.
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We’ve even seen the Walt Disney Company, with a little help from the thievery of a classic Japanese anime, craft the story of a true Lion King, Jim Carrey haunted by a doomed existence as a candid reality TV subject and an Asgardian demigod ready to reclaim his authority to put elves to the slaughter in adaptations of Hamlet(or as the director of this review’s subject calls it, “101 money making screenplay ideas”). Thus far we’ve had Joseph Gordon Levitt get in good with a grown up Alex Mack in a retelling of The Taming of the Shrew, Amanda Bynes parading as a man in for a tween’s Twelfth Night, and Kurosawa’s Ran is simply known today as the greatest adaptation of King Lear we will ever see.
Dickson’s adaptation of Shakespeare’s King John, countless filmmakers have tried their luck at adapting Bill’s plays to the screen, making Willie the most filmed writer in history(big surprise reactions allowed). Since 1899 with the creation of William K.L.
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